Saturday, September 01, 2018

Before they burn


Robert Caro:

After "Means of Ascent" was published in March 1990, a number of the articles about it that appeared in magazines and newspapers made statements about Coke Stevenson, Lyndon Johnson's opponent in the 1948 United States Senate campaign, for which I believe there is no factual basis. Some of these articles, no doubt inadvertently, repeated allegations and rumors circulated in 1948 by Johnson and his followers in their effort to undermine Stevenson's reputation -- allegations and rumors I also believe to be without factual basis. This note is intended to expand and clarify the record in these areas and to explain the process by which I learned about Coke Stevenson.

A particularly serious and dramatic allegation concerned Stevenson's personal integrity. An article in the June 4, 1990, issue of The New Republic revived the rumors circulated in 1948 that Stevenson, in exchange for his political influence, had accepted large payoffs from oil companies, which camouflaged the payments by taking leases on Stevenson's ranch although they never had any intention of drilling there. According to a source quoted approvingly by The New Republic -- a one-time Stevenson secretary who says he recalls in detail a conversation he overheard during the 1930's that may have been about an oil lease -- these leases were patently phony because "the notion that an oil company might actually drill on Stevenson's ranch was ludicrous. 'That was the poorest oil prospecting land in the world.' "

I heard such allegations while I was doing research on my book, and attempted to determine if they were true. On June 21, 1977, I drove to the Coke Stevenson Ranch (which after his death in 1975 had been divided between his widow and his son) in Kimble County. I am certain that anyone who had been with me on that day would not not believe that "the notion that an oil company might actually drill on Stevenson's ranch was ludicrous." For as I drove down a dirt road on the ranch, I passed trucks and equipment of the Great Western Petroleum Company -- which was drilling for oil on Stevenson's ranch.

On that trip, and on others that I made to Kimble County over the next few years, I interviewed ranchers and studied records and maps in the Kimble County Courthouse in Junction. The records showed that oil companies had been leasing the Coke Stevenson Ranch for exploratory drilling for over six decades, including times when Stevenson had no political office or influence. (One lease was made in December 1927 when Stevenson was not in public life; others were made -- by two new companies -- in 1950 and '54 after Stevenson had left public life forever; another, made in 1972 by still another company, was renewed annually after Stevenson was dead.) In fact, had anyone taken the trouble to telephone Stevenson's widow, Marguerite King Stevenson, at the time my book was published, he would have learned that oil companies were still leasing the Stevenson ranch -- 15 years after his death; Mrs. Stevenson received her latest annual rental check (for $4,483) last May.

Much of the hearsay and gossip about Stevenson's "phony" oil leases focused on alleged deals with the Magnolia Petroleum Company. According to the rumors, these deals involved large sums of money -- figures as high as $75,000 or $100,000 were mentioned to me. The deed records of Kimble County, in the County Courthouse, show that Magnolia took one lease on the Stevenson ranch, a 10-year lease registered on May 10, 1939. It wasn't for $75,000. Stevenson received from it a total of $19,571. His income from the lease therefore averaged $1,957 per year. This lease was one of 16 leases signed by various oil companies with 16 ranches that lay in a line running north-south through the county; all 16 leases were made in that year because a promising geological fault had been discovered along that line (and because in that year a small well came in in Kimble County).Continue reading the main story





By 1939, in fact, scores of Kimble ranchers -- none except Stevenson with a political position -- had signed leases with various oil companies, including Magnolia. The $1,957-per-year rental that Stevenson received was consistent with that paid to ranchers without political influence; in fact the Kimble deed records show that a few months before the Stevenson lease was signed, the Humble Oil and Refining Company leased the Lottie Bolt Ranch some 10 miles away -- at terms considerably higher than Magnolia gave Stevenson. Ramsey Randolph, KimbleCounty Clerk in 1939 and '40, said: "The Humble lease certainly indicates that the Stevenson lease was legitimate." ("Actually," Mr. Randolph said, compared with the amounts given other ranchers, Stevenson received a "pretty low" rental for his lease.)

Every aspect of the Magnolia lease is consistent with other oil company leases in Kimble County. There is not the slightest reason to believe it was given to buy Stevenson's political influence; in fact, every piece of documentary evidence that I could find suggests it was not. (Exploratory wells have been drilled on the Stevenson ranch for decades; although, as is the case with Kimble County as a whole, little oil has been discovered on it, enough -- together with natural gas deposits -- has been discovered to encourage oil companies to continue drilling and paying rent.)

I had been told that "everyone knew" about the "phony oil leases." But over and over again during years of research, I have been taught that things that "everyone knew" often turn out, when investigated, to be without factual basis. Investigating the oil lease rumors, I found this to be the case. Not only could I find no evidence to substantiate these rumors, all the evidence I could find contradicted the rumors, and suggested that they were false.

I did further research into Stevenson's financial situation, studying as many of his personal financial records -- including his bank statements and income tax returns -- as I could obtain, and interviewing members of his family and the few elderly Kimble County neighbors who remembered him. From every one of these sources I received a picture of a man who, despite the great power that he held for years in Texas, never had much money. One fact remembered by several people was that when during the late 1930's Stevenson wanted to pay a local man to make wrought-iron railings for the balconies in his house, he had to have the work done piecemeal because he didn't have enough money to pay for all of it at once. His income tax returns for the 1930's and 1940's, the years during which he was Speaker of the Texas House of Representatives, Lieutenant Governor and Governor, show that in the 1930's his reported net income, including the income from the Magnolia lease, averaged about $5,200 per year. During the 1940's it averaged about $8,000 per year -- and most of this income consisted of his salary from the state; during this decade, in which, according to his opponents, Coke Stevenson's acceptance of huge payoffs was "so well known," the largest income he ever reported in one year was $13,804. (Stevenson's family has given me copies of the personal income tax returns of Stevenson and his first wife for every year between 1927 and 1950.)

Finally, I read the probate records of Stevenson's will and the tax records of his estate. These show that when he died in 1975, Stevenson left an estate totaling $708,000. But the bulk of this amount -- $639,000 -- consisted of the value the Internal Revenue Service placed on the land of his ranch. Most of this land was purchased before Stevenson entered state government, piece by piece as he earned fees as an attorney. Beginning in 1914, he bought it for prices as low as $6 or $8 an acre -- and the increase in its value over the 60 years he owned it accounts for most of the estate's total value. Despite his lifelong frugality -- so rigid it was a joke among his friends -- and despite the fact that his legal expertise made his services as an attorney eagerly sought, Coke Stevenson, for a decade one of the most powerful men in Texas, died with only $59,000 in the bank. That amount, and the land, together with a few minor items, constituted his total estate.

The record of Stevenson's life so far as I could determine it is of a man who never had much money; of a man who, so far as his personal honesty was concerned, is as different as can be conceived from the image of a corrupt politician so vividly pictured in 1948 by the Johnson men -- and, after publication of "Means of Ascent," resurrected in some magazine and newspaper articles. (And, indeed, when, over the years I was doing the research on the book, I got to know these Johnson men better, some of them drew a different picture themselves. I will never forget Paul Bolton, one of Johnson's speechwriters and the author of some of the harshest attacks on Stevenson during the campaign, saying to me, in connection with another specific charge but in words describing Stevenson generally: "We knew it wasn't true, and I almost felt ashamed of what I was writing sometimes; Coke was so honest, you know.")

No writer can be certain that he knows all the facts about private financial affairs dating back 50 years and more. But I tried to ascertain as many of those facts as possible, and after doing so I was convinced -- and am convinced -- that Coke Robert Stevenson was a public official of extraordinary personal integrity.

Stevenson has also recently been portrayed anew in a number of articles as merely a "typical" ("typical" was a word I heard a lot), totally unexceptional Texas right-winger, just another in the long line of the state's extremely conservative public officials -- unintelligent, narrow-minded, bigoted, a segregationist and an isolationist.

This, as it happened, was the impression of Stevenson I myself received when I began research on my book in 1975, and for some years thereafter I had no reason to doubt it. By 1975 Stevenson was a forgotten figure, a man all but lost to history. Two biographies -- one by an aide, the other by two of Stevenson's Kimble County neighbors -- were both so slight, not only in length but in research, as to provide little insight into the man or his career. The literature on Texas history during the era in which Stevenson served in the state government is, as one writer puts it, "notoriously spotty"; moreover, most of it is written from a point of view antithetical to his. In the few books on the era, he was generally given scanty treatment, and even that concentrated on his gubernatorial record, not on his pre-gubernatorial record in government or on the story of his life as a whole.

Apart from these sources, Coke Stevenson had been described -- briefly and harshly -- primarily in biographies of Lyndon Johnson. Interviews would normally be helpful in learning about a man, but Stevenson was 87 years old when he died. He was almost the last survivor of his generation in Texas politics; only a very few of his friends and political allies -- indeed, only a few handfuls of Texas politicians who knew him more than passingly well -- were still alive.

When, almost 30 years after the 1948 campaign, I began hearing about it in interviews, the description of Stevenson available to history was very largely a description furnished by a younger generation in Texas politics -- the Johnson generation, the bright young Johnson campaign aides who helped him defeat Stevenson in 1948 and thereby rose to power in Texas -- as well as by Johnson supporters and allies and by one-time Texas "Loyalists" (Democrats loyal to Franklin D. Roosevelt, the New Deal and the national party) and their spiritual descendants in the Texas political, academic, intellectual and journalistic community, a group to whom Stevenson had been a symbol of much of what they hated. It was they who, in interviews with me, in oral history interviews given to representatives of the Lyndon Johnson Library and in opinions repeated in Johnson biographies and other books, described Stevenson as typical, and it was during my interviews with them that I was told that like so many other Texas public officials, Stevenson was just another officeholder on the take (witness those "phony oil leases").

There was, in fact, nothing unusual or significant about the 1948 campaign as a whole, I was told; Johnson had simply made use of the "issues" in the race -- these were identified to me as Stevenson's isolationism, his racism, his alleged identification with the ultra-right Texas Regulars -- to persuade a majority of the voters to vote for him. That was the accepted image of Coke Stevenson and of his last campaign, and for a long time I had no reason to think the image incomplete or inaccurate.

I was planning to make the 1948 campaign only a single long chapter in "Means of Ascent" (as I did with Johnson's 1941 campaign in "The Path to Power"), and I wasn't doing extensive research on it or on Johnson's opponent in it. I was learning about Stevenson only incidentally, during the course of interviews about other aspects of Johnson's life. Moreover, since these interviews were almost entirely with people who ridiculed and despised Stevenson, they only reinforced the picture of the man that I had obtained from the history texts. (I never interviewed Stevenson. He died in June 1975, just about the time I was making my first trips to Texas; at the time I had no idea that he would be a figure of any particular significance in my work, and I had never tried to contact him.)

After a while, however, my circle of interviews about Johnson's life began expanding so that I was talking to political figures from the 1930's and 1940's who had been outside Johnson's orbit. At the time, I wasn't interviewing these people about Stevenson or the 1948 campaign; the necessity of learning about that campaign in detail had still not sunk in on me. But although my interviews were primarily concerned with other subjects, sometimes the person I was interviewing would bring up Stevenson's name -- and slowly (very slowly, I must admit) I was beginning to realize that from these new sources the picture I was being given was quite different from the picture I had been given before.

If there was a single decisive moment in this process -- a moment in which I finally understood that there might be much more to Stevenson than I had previously believed -- that moment occurred during an interview I conducted in 1977 in Bristol, Tenn., with Wingate H. Lucas, Congressman from Fort Worth in the 1940's.

I wasn't interviewing Lucas about the 1948 campaign; at that point, I had no idea that he had had any connection with the 1948 campaign. I had located Lucas in Bristol (he had left Texas almost 20 years before) and had gone there to interview him because I was trying to talk to as many as possible of the surviving members of the Texas delegation in the House of Representatives who had served with Johnson when he was a member, from 1937 to 1948. At one point during two long days of interviews, however, Lucas began attempting to explain the sources of Johnson's unusual power within the Texas delegation. He said that part of that power was based on Johnson's entree to Roosevelt's White House, which enabled Johnson to obtain favors for influential Texans outside his own constituency.

In his own Fort Worth, for example, Lucas said, Johnson had through such favors cemented an alliance with several of Lucas's most influential constituents, notably the publisher Amon Carter and the oil man Sid Richardson. He himself, Lucas said, was therefore afraid of Johnson's power, although he personally detested him. And then Lucas said, "Why, I even had to support him in 1948. And that was really hard for me. I was a Stevenson man. Coke Stevenson lived by the code of honesty."


During those two days of talking toLucas, I had found him to be an extremely pragmatic and cynical politician -- as pragmatic and cynical, I think, as any I have ever encountered -- and rather bitter about politics and politicians as well. His use of such a phrase about another politician was therefore striking to me. The moment was decisive, moreover, not merely because Lucas used such a phrase but because when he used it I realized that I had heard similar phrases before. At that moment it dawned on me that I had been hearing testimony to Stevenson's honesty and personal and political integrity for months -- ever since I had begun interviewing outside the Johnson-Loyalist circle. The Johnson people said Stevenson was dishonest, a typical venal Texas pol. Others -- almost all the others outside that circle, I suddenly realized -- had been telling me that Stevenson was a singularly incorruptible public official. It was at this point that I began to do more intensive research into the campaign and into Johnson's opponent in it.

As for other assertions repeated after the publication of "Means of Ascent" -- for example, that Stevenson had often stolen votes in elections, just as so many other Texas politicians had (and indeed stolen the 1948 election as well) -- my education about these matters followed the pattern of my education about the oil lease "deals." The vote-stealing allegations were repeated to me by Johnson aides and by members of the Loyalist circle and their intellectual and journalistic heirs. I feel that most of these people were not deliberately misleading me, that they had been repeating these stories for so long that they themselves believed them. Listening to them, one hears a convincing case for Stevenson's transgressions in this area, and I was at first convinced.

But I subsequently found that while most of the younger members of the Johnson circle claimed that Stevenson had frequently stolen votes in those elections, most of the politicians outside that circle who were old enough to be Stevenson's contemporaries said he had never stolen votes, and considerable research showed that the allegations about Stevenson's political integrity were, like the allegations about his personal integrity, merely gossip and rumors that supposedly "everyone knew" -- but for which I was not able to find any factual support. Stevenson certainly received the bloc vote from the Rio Grande Valley several times, but not by purchase. Rather, he received it in most instances because his immense popularity made victory a foregone conclusion, and the border bosses preferred being on the winning side. Perhaps a single statement from Edward A. Clark, for 50 years one of the most powerful political figures in Texas and for 20 years not only a key Johnson strategist but also his lawyer, says it all. Mr. Clark is definitely not a Stevenson fan. But when I asked him about allegations that Stevenson's aides stole votes in 1948, he said flatly, "They didn't know how, and Governor Stevenson didn't know how."

The dissimilarities between the Coke Stevenson vividly described by Loyalists and Johnson men and the Coke Stevenson I discovered in my research extended to other areas besides his personal and political integrity. There was, for example, the larger question of his place in Texas history. The Johnson-Loyalist circles said he was "typical" -- nothing unusual about his career. But I found this description did not take into account Stevenson's popularity -- or the reason for that popularity. When, belatedly beginning to research the Coke Stevenson story more thoroughly, I finally looked up the vote totals in Stevenson's previous statewide elections, not only those for governor but for lieutenant governor, I found that he had achieved the triumphs detailed in "Means of Ascent": for example, that in both his campaigns for governor he received a higher percentage of the vote in the crucial Democratic primary than any gubernatorial candidate before him in the history of Texas, and once carried every one of the state's 254 counties, the only gubernatorial candidate in the state's history who had ever done so in a contested Democratic primary.

Even in his earlier campaigns, his record was striking. In 1940, for example, he ran for lieutenant governor. Liberal journalists assailed his conservative views, and journalists of all political persuasions ridiculed his old-fashioned style of campaigning. He had two opponents. One received 113,000 votes, the other 160,000. Stevenson polled 797,000, carrying all 254 counties. Whatever one's opinion of his record as a public official, obviously a man who in running for office had done, and repeated, what no other candidate had ever done could hardly be described with fairness as merely "typical." Even beyond the election victories, his entire career -- the fact that he held the governorship longer than anyone before him in the history of Texas, the fact that he was the only Speaker in the state's history ever to succeed himself, the fact that he was the first man in the state's history ever to hold all three of its highest offices -- Speaker, Lieutenant Governor and Governor -- was not only not typical but was, in fact, unique.

His popularity was based on the facts of his life, which held a deep emotional appeal for Texans. By the time I was researching the 1948 election in depth, knowing now that there was far more to it than I had been aware of, I had begun reading weekly and daily newspapers and magazines from the 1930's and 40's, many of which chronicled the life that seemed like a Western epic and made him seem the archetypal Texan. I couldn't find many individuals personally familiar with his life story (or, indeed, with him as a younger man), but I found a few, and their oral description confirmed the written. Looking through smaller, more obscure publications -- Sheep and Goat Raiser, Frontier Times and West Texas Today, for example -- I found several long articles written by contemporaries, and they too contained the same facts as the newspaper profiles.

The "Story of Coke Stevenson," as I call it, was a very dramatic one. But the story -- of the young boy who was a great rider, of the teen-ager starting up the freight line, of the self-education by campfire light, of the founding of the almost mythical ranch, of the reluctance to enter politics, of the refusal to campaign as other politicians campaigned, of the refusal to trim political philosophy to prevailing political winds and of the great political triumphs -- was beyond dispute. The drama was rooted in the facts I found.

More important, in reading not later accounts but those newspapers and magazines contemporaneous with Stevenson's tenure in public life, I found that the Stevenson story had already been transmuted into legend, the legend that I summarize in "Means of Ascent" by quoting excerpts from some of these articles. In discussions about Stevenson, there was a tone -- not in the liberal Texas Spectator or The Austin American-Statesman, of course, but in many other publications -- of a near-reverence quite unusual in descriptions of a public official. The man Lyndon Johnson had to defeat in 1948 was not merely a public official but a folk hero, not just a typical governor but one of the most beloved public figures in Texas history. I considered it essential to show why he was a folk hero.

The image of Coke Stevenson that had come down to history (to the very limited extent that any image of Stevenson had come down to history) was the image the Johnson people painted during the campaign, and that, today, more than 40 years later, the Johnson-Loyalist group still paints for biographers and historians. They were able to paint this image during the campaign for many reasons, one of which was that their target disdained to fight back. They have been able in recent years to paint this image virtually without refutation, for there is almost no one left to dispute them. But the image the Johnson people painted and paint is a strikingly incomplete image. They describe Coke Stevenson as a figure scorned and despised. That is certainly what he was to them. To the overwhelming majority of Texans, he was something quite different. No one could hear old men talk -- as I have heard many old men talk -- about Coke Stevenson, the Cowboy Governor, " our Cowboy Governor," riding at the head of a rodeo parade; no one could hear them talk, decades later, about "Mr. Texas" riding by as a memorable moment in their lives, and not know he was something quite different.

This is not to say that I approve of Coke Stevenson's record as governor. Indeed, aspects of that record -- his refusal to intervene in race riots in Beaumont or to investigate a 1942 lynching in Texarkana (his segregationist views in general, in fact) and his support of the University of Texas Board of Regents despite the blow they gave to academic freedom by their dismissal of Homer Rainey, the university president -- are indefensible. These episodes -- and the uncompromising conservative philosophy that ran through his administration as a whole -- made him a symbol of all that Austin's liberal academics, intellectuals and journalists opposed, and if I had been in Texas in the 1940's I would have been on their side.

In the era about which I am writing, however, Texas was not a liberal state but an extremely conservative state. The views of the Austin liberals were not the views of the majority of the Texas electorate, and it is important to realize that the 1948 election was not, as several articles published in 1990 would have it, a campaign between a liberal and a conservative.

Race is an example. Texas was a segregationist state in 1948. In that year, President Harry S. Truman submitted a civil rights program -- including a proposal for a Federal law against lynching -- to Congress, and a poll conducted in March showed that only 14 percent of white Texans favored that program. Certainly Stevenson expressed himself on more than one occasion in decidedly racist terms, but those who claim that his segregationist attitude was an issue in the campaign choose not to remember that both candidates -- not just Stevenson -- opposed Truman's program. Lyndon Johnson used the opening speech of his 1948 campaign to make an all-out attack on that program. "The Civil Rights program is a farce and a sham -- an effort to set up a police state," he said.

"I am opposed to that program," Johnson continued. "I have voted AGAINST the so-called poll tax repeal bill; the poll tax should be repealed by those states which enacted them. I have voted against the so-called anti-lynching bill; the state can, and DOES, enforce the law against murder. I have voted against the FEPC [ Fair Employment Practices Commission ] ; if a man can tell you whom you must hire, he can tell you whom you can't hire."

And of course for 11 years in Congress Johnson had voted against every civil rights bill, including an antilynching bill (as he would, following the 1948 campaign, vote against every civil rights bill for the next nine years). This is not to say that Johnson was a segregationist, just as I do not say that Stevenson was not a segregationist. Stevenson was one. Nor, of course, is it to condone Stevenson's views. What I am saying is that since Texas was a segregationist state and the public positions of both candidates were the same, civil rights was not an important issue in the campaign. Nor, sadly, did Stevenson's deplorable record and views ever affect his overwhelming popularity. To have given significant emphasis to race in my book would have been to wrench the campaign out of its historical context, to have looked at a 1948 event through a lens ground in 1990.

The Rainey affair, too, despite all the anguish it caused (and still causes) those who love liberty of thought and discussion, was not an important campaign issue in 1948. Stevenson's administration as a whole was not an important issue in the campaign; Johnson did not make it an issue, for he was well aware of the popularity of that administration -- and of the political philosophy on which it was based -- with the great majority of Texans. As even Stevenson's critics conceded, "He was as liberal as the people." And since I was writing about Stevenson primarily because of his relationship to Lyndon Johnson and the '48 campaign, I dealt only in a summary fashion with aspects of Stevenson's life that had little to do with the campaign. (As I do with aspects of Johnson's life that had little to do with the campaign, such as his stated position on civil rights issues. The evolution of Johnson's views on segregation from his early days in government to the civil rights acts he championed as Senate majority leader and President will be examined in detail in my next volume, the point at which civil rights becomes a major theme in his career.) Moreover, I was trying to make the reader see events as they unfolded, to make him feel as if he were present when the events described were taking place. If the reader had been in Texas during that hot summer of 1948, watching Lyndon Johnson and Coke Stevenson campaign, he would have heard very little about race or Rainey.

Rather, Stevenson's relation to Johnson and the campaign was that of the folk hero Johnson had to run against, and that is how I portrayed him. The voter's respect for Stevenson was the main obstacle between Johnson and his goal; it was in effect the main "issue" of the campaign. So the reputation (and the life story that was its basis) is presented in detail to show its strength -- and to show, as well, the difficulty Johnson faced in wrecking it.

"Issues," in the conventional sense of the word, had little to do with the campaign, I found.

This is not at all what I once believed. The Loyalists are an issue-oriented group, and they describe the 1948 campaign as one oriented to issues. In their opinion, Stevenson's views on race were a significant factor in the campaign, as was the question of United States involvement in the postwar world. In the Loyalists' opinion, also, Johnson needed them badly, courted them fervently, and entered into a close alliance with them -- an alliance that they contend was crucial to his victory; they feel that only through understanding the fight between Loyalists and Regulars in the 1944 Presidential campaign can one understand the Texas senatorial election of 1948. The Johnson adherents in Austin -- a group to some degree synonymous with the old Loyalists -- feel, in short, that the 1948 campaign was a campaign in which their participation was vital, a campaign that hinged on the issues that were important to them. In oral histories, books and interviews they convey this view quite persuasively -- and for some time I shared this view.

Eventually, however, it became impossible for me to continue to share it -- or even to remain convinced of any substantial part of it. For one thing, by this time I was reading the approximately 56,000 pages of documents in the Johnson Library relating to the campaign, as well as the coverage of the campaign in daily and weekly newspapers. The more research I did, the more obvious it became that the Loyalists' view of their significance in the campaign was drastically exaggerated. To the extent that the Johnson campaign had a consistent philosophical thrust at all, it was a drive to obtain not the liberal vote but, as "Means of Ascent" shows in detail, the conservative vote; the alliance between Johnson's men and the Loyalists became significant to the election's outcome only at the convention in Fort Worth after the election. And while considerations of space prevent me from assessing here the significance of the Loyalists' favorite issues, that proved exaggerated as well.

(As a matter of fact, while some Johnson men and their Loyalist allies say flatly that Stevenson was a fervent isolationist, that matter becomes somewhat more complicated when one starts reading Stevenson's speeches. In one, for example, Stevenson said: "As I have said before, the time is gone when the United States can isolate itself from the rest of the world. We must be strong enough to face the world without fear. We must be courageous enough to live up fully to our responsibilities to the rest of the world. Our own salvation cannot be separated from theirs." During the campaign, he announced his support for the Marshall Plan and for President Truman's foreign policy in general. "I know of no changes that I could suggest in our policy. That policy is going to keep us out of war, and I support it.")

What the evidence does show is that the issue that worked for Johnson was the issue emphasized in "Means of Ascent": the assault on Stevenson's reputation -- including Johnson's campaign to persuade the voters of Texas that this Governor who was an adamant foe of organized labor had entered into a "secret deal" with "big city labor racketeers"; and Johnson's campaign to stand the truth on its head yet again by persuading the voters that this extremely conservative Governor might well be a front man for a Communist conspiracy.

In sum, there was really only one issue in the campaign that played a significant role in its outcome (unless, of course, one includes as an "issue" Johnson's unsuccessful attempt to buy an election, and, when that attempt fell short, his successful attempt to steal it). That issue was Coke Stevenson's reputation -- the basis of that reputation, the strength of that reputation, the destruction of that reputation. Lyndon Johnson did not pioneer the techniques by which that destruction was effected -- what we would today call "attack politics" or "negative campaigning" -- complete with the constant scientific polling, the use of advertising, public relations and media experts, and the use of electronic media. But his instinctive genius in the art of politics enabled him to raise these techniques to a new, revolutionary level of effectiveness in Texas. Lyndon Johnson's 1948 campaign for junior United States Senator was, in that sense, the first mature flowering of the new politics in Texas. Since Stevenson was the very embodiment of the old politics, and because Stevenson's campaign was the last campaign of its type ever waged by a major candidate for statewide office in Texas, the 1948 campaign marked the end of an era in politics -- as the collision of old and new marked a significant transformation in American politics. By showing the collision between old and new, by exploring in detail the strength of Stevenson's reputation and the means by which, despite that strength, the reputation was wrecked, I have tried to illustrate the full destructiveness of these techniques on the fundamental concept of free choice by an informed electorate. This essay is adapted from the afterword to the paperback edition of "Means of Ascent."

Before they burn

Thomas Mallon:

Some years ago, when I was looking for lively material to discuss in a book about diaries, I knew, even before I got the text of her journals, that Betsey Wynne, a British naval wife during the Napoleonic wars, would make the cut. A single heading in the diary's index was enough to satisfy me: dislikes Bombelles family, 119, 157, 164, 165, 170, 174, 175, 177-9, 183, 184, 186, 187, 190, 191, 202, 207, 208, 211, 213, 220, 224, 225, 229, 230, 231, 235, 236, 254, 260, 261, 271.
Surely this would be a woman with some personality.
The etymology of the word "index" takes you back to the Latin for "forefinger," and aside from pointing straight ahead, index fingers can beckon with a come-hither curl, just as the pre-Vatican II "Index Librorum Prohibitorum" makes you think of a rigid finger pressed to the lips and signaling silence. It's a tantalizing word. When I finished writing my book on diaries I decided to index it myself (do most readers realize that authors must otherwise pay, in docked royalties, for their indexes?), and I remember trying to balance considerations of accuracy and appeal. I was delighted to be able to make legitimate headings for "revenge" and "voyeurism," not to mention the exotically pedantic pair of "robbery, grave" and "robbery, highway." Most indexes deliver the goods. Almost any column inch of the one for Gerald Clarke's fine biography of Truman Capote ("Kennedy, Rose; Kerouac, Jack; Kerr, Deborah. . . .") gets you set for what's inside. Some indexes, however, tease: how did Brigitte Bardot wander onto page 49 of Gov. Edmund G. (Pat) Brown's book on the death penalty? You turn immediately to page 49 to discover that she'd sent a telegram opposing an execution. Oh, well, what were you expecting?
Sometimes an index is so copious that it becomes a readerly pleasure in itself. Surely no index will ever surpass the one in my copy of "The Anatomy of Melancholy": Lovers, Low Countries, Lungs, Lust, Lutherans, Lycanthropia. And that leaves out the subheadings for these six items. Three centuries after Burton, Robert K. Merton devoted much of his delightful book "On the Shoulders of Giants" to tracking the history of a single aphorism. "The Anatomy of Melancholy" was just one of his hunting grounds, and Mr. Merton's latter-day production wound up requiring two indexes. One was an "Onomasticon or a Sort of Index," from which follow two sample entries: Stekel, Wilhelm: the metamorphosis of a dwarf, 269 Voltaire: splendid vulgarizer of Newton and devoted friend of the Marquise du Chatelet, 34-7.
The "Onomasticon" was followed by "Places, Things, and Non-things," the last being defined as "unreified concepts."
The most avid readers of indexes are no doubt writers. In his book "Crooning," John Gregory Dunne notes: "The first thing I did when I picked up 'Spiegel: The Man Behind the Pictures,' Andrew Sinclair's biography of film producer Sam Spiegel, was look in the index, where I found a listing I was hoping not to find: 'Dunne, John Gregory, 131.' " The anecdote on page 131 turned out to be, as Mr. Dunne expected, inaccurate. But the authorial ego more often helps prove Oscar Wilde's axiom "There is only one thing in the world worse than being talked about, and that is not being talked about." William F. Buckley Jr. counted on this when, before sending one of his books to Norman Mailer, he wrote "Hi, Norman" next to the index entry for "Mailer, Norman."
The chief purpose of an index is distillation, and in performing that task it can manage to suggest a life's incongruities with a concision that the most powerful biographical stylist will have trouble matching. The index to "My Turn," the story of Nancy Reagan's life, is full of juxtapositions that, as they say, Say It All: "Screen Actors Guild" immediately precedes "SDI (Strategic Defense Initiative)"; "Jimmy Stewart" is one line above "Potter Stewart"; the comedian Danny Thomas comes just before the Washington reporter Helen Thomas.
Our indexing expectations are high for biography and history, and higher still for most works of general reference, where an index hardly qualifies as "back matter" at all. The index to Bartlett's Familiar Quotations is nearly two-thirds as long as the book's contents, and Roget's Thesaurus comes even closer to textual eclipse: in the version I own, 201 pages of index follow 227 pages of thesaurus. Indeed, the former often prove so helpful that one doesn't bother going on to the latter.
It is novels, oddly enough -- those books closest to history and biography in shape and look and spirit -- that come to us starkly unappended. There are rare curiosities like "Pale Fire," but that is a novel masquerading as something else. "The End" is usually just that, and if you'd like to spend a few more moments reliving the delicious ones you've just spent with some minor character, your eyes and schedule are out of luck, forced to retrace their whole triple-deckered trek. I can always count on the Cheeryble brothers to give my heart a quick lift, but they're not easy to find when the 7:48 is ready to pull out; and the reason you've sought them in the first place is the same one why you can't possibly bring "Nicholas Nickleby" with you on the train: your lap has been reserved for ungraded papers and an unbalanced checkbook.
There are those who will argue that a full-blown index to a novel would be destructive of its suspense; it would be wrong for a reader to spot "Elizabeth Bennet, marriage of," before even seeing Mr. Darcy come onto the scene. But this assumes that the first-time reader of "Pride and Prejudice" will lack all self-control (is that why the French put the table of contents at the back?), when for years the last page has always been temptingly there, index or no index.
In any case, it is rereaders I have in mind, especially those of uneven novelists for whom one's feelings are forever mixed. I recently wrote an essay that involved much rereading of John O'Hara, and I would have been deeply appreciative of indexes enabling me to skip some of his fictive reflections upon a number of preoccupations uninformed by experience. (See -- or don't see -- "lesbianism" and "Yale.") I would be similarly grateful for an index to "The Forsyte Saga" that listed, say, "determinism," in order that I might spare myself Galsworthy's grumblings upon the theme. Irene is perhaps that chronicle's most interesting character, and by the end of the second volume, "In Chancery," when she has married Young Jolyon, one might like the help of an index to search out any occasions in the first, "The Man of Property," when their paths may have crossed and one was too dull-witted to imagine the possibilities.
Those who object that such an index would carry the game of make-believe, art's pretense of real-life reflection, a bit too far, might be reminded that the Scribners omnibus edition of "The Forsyte Saga" does come with a family tree, and that after Soames Forsyte finally died in 1926, in a volume beyond the original Saga, at least one English newspaper announced it as news. Now that John Updike's Harry (Rabbit) Angstrom has apparently passed on, on the last page of the fourth eponymous volume about his life (1933-1989), readers and future students of that life might like assistance in tracking the forces at work on it: an index with headings like "Janice, increasing confidence of," would cast important themes into high relief.
In his little monograph "Indexing Books: A Manual of Basic Principles" (1962), Robert Collison, the honorable treasurer of the Society of Indexers, declared that the craft "is only interesting to those people who really like an orderly approach to life." In fact, with today's shrinking production schedules, indexing is often a frantic task. Irving Tullar, a Brooklyn freelancer, talks of 12-hour days when the crunch is on. Moreover, space can be as bedeviling as time. Laurence Cooper, a manuscript editor with Houghton Mifflin, points out that since books are printed in signatures, the index is the last part of a book to be allocated space during the production process. Indexers are often, in effect, asked to work with what's left over from the last signature. "They're like reporters," said Mr. Cooper. "They're always fighting for more space. An indexer will say, 'Seven hundred lines? Can't do it.' "
But the craft has its pleasures, too. Mr. Tullar likes "the intellectual challenge" it provides, something akin to "creating a crossword puzzle. I enjoy the books that are well written, and I'm paid to read those books in detail." One thinks of Virginia Woolf gaining unequaled knowledge of "The Waste Land" by setting it in type, letter by letter, for the Hogarth Press.
Ruth Cross -- rather a good last name for an indexer -- has created more than 250 of them, and the variety of what she's been asked to undertake has made her widely read. She's done biography, memoir, educational psychology, history, psychiatry and literary criticism. "I'll take on almost anything except cookbooks," she said from her home in Maine. "If you've done one of them, you've pretty well done them all."
Irving Tullar makes use of software programs like Cindex -- "It would be impossible to meet deadlines without a computer," he said -- but so far Mrs. Cross has stuck to her handwritten citation slips. She said she can't quite shake the feeling that "in a conceptual index, a computer is not the answer. There are too many shades of meaning, different terms meaning the same thing that a computer won't pick up." Perhaps her fears are unwarranted, but I do know that when she did the index to my book about plagiarism, "Stolen Words," whose text contained a barebones mention of Disraeli's "Calamities of Authors," she needed no one to tell her that instead of adding another page under the heading "Disraeli, Benjamin," whose light-fingeredness was elsewhere cited, she needed to create a separate heading, "Disraeli, Isaac," for the author and Prime Minister's father. (Isaac, who spelled his own name D'Israeli, had his apostrophe dropped in posthumous editions of his work that were introduced by his son.)
As for the author's own pleasures, there are few keener than seeing the index to his book. The feeling is akin to the kind of popularity one feels when flipping through one's address book, where every name, even those of the merest acquaintances, has, for a moment, an equal voice and presence. It hardly matters how fleeting are the appearances of some of the indexed items in the text of the book he's written. How learned the author feels just seeing those hundreds of alphabetized subjects and names, and how organized, as if someone had finally gone into his brain and -- all for the gentle reader's sake -- put those heaps of clutter into a gleaming row of file cabinets.

Friday, August 31, 2018

The Death of the Heart


“But don’t you think perhaps you exaggerate? The agitation of seeing something quite unexpected often makes one think it worse than it is.”
“That diary could not be worse than it is. That is to say, it couldn’t be worse for me. At the time, it only made me superficially angry—but I’ve had time since then to think it over. And I haven’t quite finished yet—I keep remembering more things.”
“Was it very … unkind?”
“No, not meant to be that. No, she’d like to help us, I’m sure.”
“Then, mawkish, you mean?”
“I mean, more, completely distorted and distorting. As I read I thought, either this girl or I are mad. And I don’t think I am, do you?”
“Surely not. But why should you be so upset if it simply shows what is the matter with her? Was it affected?”
“Deeply hysterical.”
“You’ve got to allow for style, though. Nothing arrives on paper as it started, and so much arrives that never started at all. To write is always to rave a little—even if one did once know what one meant, which at her age seems unlikely. There are ways and ways of trumping a thing up: one gets more discriminating, not necessarily more honest.

 
I should know, after all.”
“I am sure you do, St. Quentin. But this was not a bit like your beautiful books. In fact it was not likewritingat all.” She paused and added: “She was so odd about me.”
St. Quentin, looking frustrated, started feeling about for his handkerchief. He blew his nose and went on, with iron determination: “Style is the thing that’s always a bit phony, and at the same time you cannot write without style. Look how much goes to addressing an envelope—for, after all, it’s a matter of set-out. And a diary, after all, is written to please oneself—therefore it’s bound to be enormously written up. The obligation to write it is all in one’s own eye, and look how one is when it’s almost always written—upstairs, late, overwrought, alone… All the same, Anna, it must have interested you.”
“It opened at my name.”
“So you read straight on from there?”
“No, it opened at the last entry; I read that, then went back and started from the beginning. The latest entry was about dinner the evening before.”
“Let’s see: had you a party?”
“No, no: much worse than that. It had been simply her and me and Thomas. She must have bolted upstairs and written everything down. Naturally, when I’d read that I went back to the beginning, to see what had got her into that state of mind. I still don’t see why she wrote the thing at all.”
“Perhaps,” said St. Quentin mildly, “she’s interested in experience for its own sake.”
“How could she be, yet? At her age, look how little she’s got. Experience isn’t interesting till it begins to repeat itself—in fact, till it does that, it hardlyisexperience.”
“Tell me, do you remember the first sentence of all?”
“Indeed I do,” Anna said. 
So I am with them, in London
“With a comma after the ‘them’? …The comma is good; that’s style. … I should like to have seen it, I must say.”

and

“Portia!” said Miss Paullie. Portia leaped as though she had been struck. “My dear child, don’t sit hunched like that. Don’t work under the table. Put your workonthe table. What have you got there? Don’t keep things on your knee.”
As Portia still did nothing, Miss Paullie pushed her own small table from in front of her chair, got up and came swiftly round to where Portia sat. All the girls stared.
Miss Paullie said: “Surely that is not a letter? This is not the place or the time to read your letters, is it? I think you must notice that the other girls don’t do that. And, wherever one is, one never does read a letter under the table: have you never been told? What else is that you have on your knee? Your bag? Why did you not leave your bag in the cloakroom? Nobody will take it here, you know. Now, put your letter away in your bag again, and leave them both in the cloakroom. To carry your bag about with you indoors is a hotel habit, you know.”
Miss Paullie may not have known what she was saying, but one or two of the girls, including Lilian, smiled. Portia got up, looking unsteady, went to the cloakroom and lodged her bag on a ledge under her coat—a ledge along which, as she saw now, all the other girls’ bags had been put. But Eddie’s letter, after a desperate moment, she slipped up inside her woollen directoire knickers. It stayed just inside the elastic band, under one knee.

and


“She’d made such a sacrifice.”

“Sacrificers,” said Matchett, “are not the ones to pity. The ones to pity are those that they sacrifice. Oh, the sacrificers, they get it both ways. A person knows themselves what they’re able to do without. Yes, Mrs. Quayne would give the clothes off her back, but in the long run she would never lose a thing. The day we heard you’d been born out there in France, she went on like a lady who’d got her first grandchild. She came after me to the linen room to tell me. The sweet little thing,’ she said. ‘Oh, Matchett!’ she said, ‘he always wanted a girll’ Then she went down in the hall to telephone Mr. Thomas. ‘Oh Thomas, good news,’ I heard her say.”

and


 The things that came to them here from Mrs. Quayne’s were accustomed to the best care; Mrs. Thomas knew they must have it. Oh, it is lovely furniture, and Mr. and Mrs. Thomas see the value of it. Valuables were the one thing Mrs. Quayne and Mrs. Thomas saw eye to eye about. You can see ten foot into my polish, and Mrs. Thomas likes the look of a thing.”
“But what made you come here?”
“It seemed to me proper. I hadn’t the heart, either, to let that furniture go: I wouldn’t have known myself. It was that that kept me at Mrs. Quayne’s. I was sorry to leave those marbles I’d got so nice, but those had to stop and I put them out of my mind.”
“The furniture would have missed you?”

“Furniture’s knowing all right. Not much gets past the things in a room, I daresay, and chairs and tables don’t go to the grave so soon. Every time I take the soft cloth to that stuff in the drawingroom, I could say, ‘Well, you know a bit more.’ My goodness, when I got here and saw all Mrs. Quayne’s stuff where Mrs. Thomas had put it—if I’d have been a silly, I should have said it gave me quite a look. Well, it didn’t speak, and I didn’t. If Mr. and Mrs. Thomas are what you say, nervous, no doubt they are nervous of what’s not said. I would not be the one to blame them: they live the best way they can. Unnatural living runs in a family, and the furniture knows it, you be sure. Good furniture knows what’s what. It knows it’s made for a purpose, and it respects itself—when I say you’re made for a purpose you start off crying. Oh, furniture like we’ve got is too much for some that would rather not have the past. If I just had to look at it and have it looking at me, I’d go jumpy, I daresay. But when it’s your work it can’t do anything to you. Why, that furniture—I’ve been at it years and years with the soft cloth: I know it like my own face… . Oh yes, I notice them, all right. But I’m not the one to speak: I’ve got no time. When they made a place for it, they made a place for me, and they soon saw nothing would come of that.

and
What help she did not find in the picture she found in its oak frame and the mantelpiece underneath. After inside upheavals, it is important to fix on imperturbable things.Their imperturbableness, their air that nothing has happened renews our guarantee. Pictures would not be hung plumb over the centres of fireplaces or wallpapers pasted on with such precision that their seams make no break in the pattern if life were really not possible to adjudicate for. These things are what we mean when we speak of civilisation: they remind us how exceedingly seldom the unseemly or unforeseeable rears its head. In this sense, the destruction of buildings and furniture is more palpably dreadful to the spirit than the destruction of human life. Appalling as the talk with Daphne had been, it had not been so finally fatal, when you looked back at it, as an earthquake or a dropped bomb. Had the gas stove blown up when Portia lit it, blowing this nice room into smithereens, it would have been worse than Portia’s being called spying common. Though what she had said had apparently been dreadful, it had done less harm than a bombardment from the sea. Only outside disaster is irreparable. At least, there would be dinner at any minute; at least she could wash her hands in Vinolia soap.

and

“You don’taskwhat made me do that—you don’t even ask yourself.”
She said, “You were very kind.”
“The most unlikely things one does, the most utterly out of character, arouse no curiosity, even in one’s friends. One can suffer a convulsion of one’s entire nature, and, unless it makes some noise, no one notices. It’s not just that we are incurious; we completely lack any sense of each other’s existences. Even you, with that loving nature you have—In a small way I have just ratted on Anna, I have done something she’d never forgive me for, and you, Portia, you don’t even ask why. Consciously, and as far as I can see quite gratuitously, I have started what may make a frightful breach. In me, this is utterly out of character: I’m not a mischievous man; I haven’t got time; I’m not interested enough. You’re not even listening, are you?”
“I’m sorry, I—”
“I’ve no doubt you’re upset. So you and I might be at different ends of the world. Stop thinking about your diary and your Anna and listen to me—and don’t flinch at me, Portia, as though I were an electric drill. You ought to want some key to why people do what they do. You think us all wicked—”
“I don’t, I—”
“It’s not so simple as that. What makes you think us wicked is simply our little way of keeping ourselves going. We must live, though you may not see the necessity. In the long run, we may not work out well. We attempt, however, to be more civil and kindly than we feel. The fact is, we have no great wish for each other—no spontaneous wish for each other, that is to say. This lack of gout makes us have to behave with a certain amount of policy. Because I quite like Anna, I overlook much in her, and because she quite likes me she overlooks much in me. We laugh at each other’s jokes and we save each other’s faces—When I give her away to you, I break an accepted rule. This is not often done. It takes people in a lasting state of hysteria, like your friend Eddie, for instance, or people who feel they have some higher authority (as I’ve no doubt Eddie feels he has) to break every rule every time. To keep any rule would be an event for him: when he breaks one more rule it is hardly interesting—at least, not to me. I simply cannot account for his fascination for Anna—”
“Does he fascinate Anna?”
“Oh, palpably, don’t you think? I suppose the deduc-tion is that she really must have a conventional mind. And of course he has some pretty ways—No, with me there has to be quite a brainstorm before I break any rule, before speaking the truth. Love, drink, anger— something crumbles the whole scene: at once one is in a fantastic universe. Its unseemliness and its glory are indescribable, really. One becomes a Colossus. … I still don’t know, all the same, what made that happen just now. It must be this close spring weather. It’s religious weather, I think.”

and

“I’m afraid,” St. Quentin said, “in this case we may have to. That is, if you are anxious to get her home. Her ‘right thing’ is an absolute of some sort, and absolutes only exist in feeling. There they both are, waiting in Kensington. Really you will have to do something soon.”
“Even supposing one wanted to for a moment, how is one to know how anyone else feels?”
“Oh, come,” said St. Quentin. “In this case, none of us are so badly placed. I am a novelist; you, Anna, have read her diary; Thomas is her brother—they can’t bequiteunlike. However much we may hate to, there’s no reason, now we have got to face it, why we should not see more or less what her position is—or, I mean more, see things from her position… . May I go on, Anna?”
“Yes, do. But really we must decide. What are you doing, Thomas?”
“Drawing the curtains. People are looking in… . Are we not to have any coffee?”
“St. Quentin, wait till the coffees come.”
The coffee was brought. St. Quentin, one elbow each side of his cup of coffee, continued slowly to rub his forehead. At last he said: “I think you’re jealous of her.”
“Does she know that? If not, it can’t be called her position.”
“No, she’s not properly conscious of enjoying everything you are so jealous of. She may not enjoy it herself. Her extraordinary wish to love—”
“—Oh, I’d never want that back—”

Stalin

By Simon Montefiore

The vanguard of Bolsheviks, many young and now blooded by the brutality of that struggle, found themselves a tiny, isolated and embattled minority nervously ruling a vast mined Empire, itself besieged by a hostile world. contemptuous of the workers and peasants, Lenin was nonetheless surprised to discover that neither of these classes supported them. Lenin thus proposed a single organ to rule and oversee the creation of socialism: the Party. It was this embarrassing gap between reality and aspiration that made the Party’s quasi-religious fidelity to ideological purity so important, its military discipline so obligatory. 
ln this peculiar dilemma, they improvised a peculiar system and sought solace in a uniquely peculiar view of the world. The Party’s sovereign organ was the Central Committee (CC), the top seventy or so officials, who were elected annually by Party Congresses which, later, were held ever less frequently.  The CC elected the small Politburo, a super-War Cabinet that decided policy, and a Secretariat of about three Secretaries to run the Party. They directed the conventional government of a radically centralized vertical one-party state: Mikhail Kalunin born in 1874, the only real peasant
in the leadership, known as the “All-Union peasant elder,” became Head of State in 1919.‘ Lenin ran the country as Premier, the Chairman of the Council of People's Commissars, a cabinet of ministers which executed the Politburo's orders. There was a sort of democracy within the Politburo but after the desperate crises of the Civil War, Lenin banned factions. The Party frantically recruited millions of new members but were they trustworthy? Gradually, an authoritarian bureaucratic dictatorship took the place of the honest debates of earlier days but in 1921, Lenin, that superlative improviser, restored a degree of capitalism, a compromise called the New Economic Policy (NEP), to save the regime. 

In 1922, Lenin and Kamenev engineered the appointment of Stalin as General Secretary-or Gensec-of the CC to run the Party. Stalin’s Secretariat was the engine mom of the new state, giving him extensive powers: he demonstrated these in the “Georgian Affair” when he and Sergo annexed Georgia, which had seceded from the Empire, and then imposed their will on the independent-minded Georgian Party. Lenin was disgusted but his stroke in December 1922 prevented him moving against Stalin. The Politburo, taking control of the health of the Party's greatest asset, banned him from working more than ten minutes a day. When Lenin tried to do more, Stalin insulted Lenin’s wife Krupskaya, a tantrum that could have ended his career. (Stalin’s row with Lenin’s Wife, Krupskaya outraged Lenin's bourgeois sentiments. But Stalin thought it was entirely consistent with Party culture: “Why should I stand on my hind leg for her? To sleep with Lenin does not mean you understand Marxism-Leninism. Just because she used the name toilet as Lenin . . . " This led to some classic Stalin jokes, in which he warned Krupskaya that if she did not obey, the Central Committee would appoint someone else as Lenin's wife. That in a very Bolshevik concept. His disrespect for Krupskayua was probably not helped by her complaints about Lenin’s flirtations with his assistants. including Yelena Susan, the one whom Stalin threatened to promote to “wife.' )
Lenin alone could see that Stalin was emerging as his most likely successor so he secretly dictated a damning Testament demanding his dismissal. Lenin was felled by a fatal stroke on 21 January 1924. Against the wishes of Lenin and his family, Stalin orchestrated the effective deification of the leader and his embalming like an Orthodox saint in a Mausoleum on Red Square. Stalin commandeered the sacred orthodoxy of his late hero to build up his own power. 

An outsider in 1924 would have expected Trotsky to succeed Lenin, but in the Bolshevik oligarchy, this glittery fame counted against the insouciant War Commissar. The hatred between Stalin and Trotsky was not only based on personality and style but also on policy. Stalin had already used the massive patronage of the Secretariat to promote his allies, Molotov, Voroshilov and Sergo; he also supplied an encouraging and realistic alternative to Trotsky’s insistence on European revolution: “Socialism in One Country.” The other members of the Politburo, led by Grigory Zinoviev, and Kamenev, Lenin’s closest associates, were also terrified of Trotsky, who had united all against himself. So when Lenin’s Testament was unveiled in 1924, Kamenev proposed to let Stalin remain as Secretary, little realizing that there would be no other real opportunity to remove him for thirty years. Trotsky, the Revolution’s preening panjandrum was defeated with surprising ease and speed. Having dismissed Trotsky from his power base as War Commissar, Zinoviev and Kamenev discovered too late that their co-triumvir Stalin was the real threat. 
By 1926, Stalin had defeated them too, helped by his Rightist allies, Nikolai Bukharin and Alexei Rykov, who had succeeded Lenin as Premier. Stalin and Bukharin supported the NEP. But many of the regional hardliners feared that compromise undermined Bolshevism itself, putting off the reckoning day with the hostile peasantry. In 1927, a grain crisis brought this to a head, unleashed the Bolshevik taste for extreme solutions to their problems, and set the country on a repressive martial footing that would last until Stalin's death. 
In January 1928, Stalin himself travelled to Siberia to investigate the drop in grain deliveries. Replaying his glorious role as Civil War commissar, Stalin ordered the forcible gathering of grain and blamed the shortage on the so-called kulaks, who were hoarding their harvest in the hope of higher prices. “Kulak” usually meant a peasant who employed a couple of labourers or owned a pair of cows. “I gave a good shaking to the Party Organs," Stalin said later but he soon discovered that “the Rightists didn’t like harsh measures . . . they thought it the beginning of civil war in the villages.” 
On his return, Premier Rykov threatened Stalin: “Criminal charges should be filed against you!" However, the rough young commissars, the “committee men” at the heart of the Party, supported Stalin’s violent requisitioning of grain. Every winter. they headed into the hinterlands to
squeeze the grain out of the kulaks who were identified as the main enemies of the Revolution. However, they realized the NEP had failed. They had to find a radical, military solution to the food crisis. 

Stalin was a natural radical and now he shamelessly stole the clothes of the Leftists he had just defeated. He and his allies were already talking of a final new Revolution, the “Great Turn” leftwards to solve the problem of the peasantry and economic backwardness. These Bolsheviks hated the obstinate old world of the peasants: they had to be herded into collective farms, their grain forcibly collected and sold abroad to fund a manic gallop to create an instant industrial powerhouse that could produce tanks and planes. Private trade of food was stopped. Kulaks were ordered to deliver their grain and prosecuted as speculators if they did not. Gradually, the villagers themselves were forced into collectives. Anyone who resisted was a “kulak enemy." 
Similarly, in industry, the Bolsheviks unleashed their hatred of technical experts, or “bourgeois specialists”--actually just middle-class engineers. While they trained their own new Red elite, they intimidated those who said Stalin’s industrial plans were impossible with a series of faked trials that started at the Shakhty coal mine. Nothing was impossible. The resulting rural nightmare was like a war without battles but with death on a monumental scale." Yet the warlords of this struggle, Stalin’s magnates and their wives, still lived in the Kremlin like a surprisingly cosy family.

(Stalin was never the titular Head of State of the Soviet Union, nor was Lenin. Kalinin's title was the Chairman of the Central Executive Committee, technically the highest legislative body, but he was colloquially the “President.” After the 1936 Constitution, his title was Chairman of the Presidium of the Supreme Soviet. Only with the Brezhnev Constitution did the Secretary-General of the Party add the Presidency to his titles. The Bolsheviks coined a new Jargon of acronyms in their effort to create a new sort of government. )

and 

The murder of Kirov:

Draped in garlands, the death train shunted into darkness after midnight, leaving behind Kirov's brain which was to be studied for signs of revolutionary brilliance in the Leningrad Institute. (This brain study was part of the rationalist-scientific ritual of death of great Bolsheviks. Lenin's brain had been extracted and was now studied at the Institute of the Brain. When Gorky died, his brain was delivered there too. This was surely a scientific Marxist distortion of the tradition in the Romantic age for the hearts of great men.whether Mirabeau or Potemkin to be buried separately. But the age of the heart was over.

and

Zinoviev shouted that this was a “Fascist coup” and begged the executioners: “Please, comrade, for God’s sake, call Joseph Vissarionovich! Joseph Vissarionovich promised to save our lives!" Some accounts have him actually hugging and licking the Chekist’s boots. Kamenev reportedly answered: “We deserve this because of our unworthy attitude at the trial” and told Zinoviev to be quiet and die with dignity. Zinoviev made such a noise that an NKVD lieutenant took him into a nearby cell and despatched him there and then. They were shot through the back of the head. 
The bullets, with their noses crushed, were dug out of the skulls, Wiped clean of blood and pearly brain matter, and handed to Yagoda, probably still warm. No wonder Vyshinsky found these events sickening. Yagoda labelled the bullets “Zinoviev” and “Kamenev” and treasured these macabre but sacred relics, taking them home to be kept proudly with his collection of erotica and ladies’ stockings.f The bodies were cremated. 
Stalin was always fascinated by the conduct of his enemies at the supreme moment, enjoying their humiliation and destruction: “A man may be physically brave but a political coward,” he said. Weeks later, at a dinner to celebrate the founding of the Cheka, Pauker, Stalin’s comedian, acted the death and pleadings of Zinoviev. To the raucous guffaws of the Voz/Jd and Yezhov, plump, corseted and shiny-pated Pauker was dragged back into the room by two friends playing the role of guards. There he performed Zinoviev’s cries of “For God’s sake call Stalin” but improvised mother ingredient. Pauker, a Jew himself, specialised in telling Stalin Jewish jokes in the appropriate accent with much rolling of“R”s and cringing. \Iow be combined the two, depicting Zinoviev raising his hands to the {eavens and weeping. “Hear oh Israel the Lord is our God"
'