Sunday, July 31, 2016

Sartre and SEX

Sartre was quite squeamish. To judge by the vivid descriptions in his books, he found sex a nightmarish process of struggling not to drown in slime and gloop. (Before we mock him too much for this, let’s remember that we know it only because he revealed it so candidly. Well, okay, let’s mock him a little bit.)

The physical lusciousness of life was never a threat to Beauvoir; she could not get enough of it. As a child, she wanted to consume everything she saw. She would gaze greedily into the windows of sweet shops-‘the luminous sparkle of candied fruits, the cloudy lustre of jellies, the kaleidoscopic inflorescence of acidulated fruit-drops~ green, red, orange, violet-I coveted the colours themselves as much as the pleasures they promised me’. She wished the whole universe could be edible, so it could be eaten as Hansel and Gretel ate from the gingerbread house. Even as an adult, she wrote, ‘I wanted to crunch flowering almond trees, and take bites out of the rainbow nougat of the sunset.’ Travelling to New York in 1947, she felt an urge to eat the neon signs, brightly arrayed against the night sky.

Her appetite extended to collecting things, including many gifts and souvenirs from her travels. When she finally moved from hotel rooms to a proper apartment in 1955, it quickly filled up with ‘jackets and skirts from Guatemala, blouses from Mexico. . .ostrich eggs from the Sahara, lead tom-toms, some drums that Sartre had brought back from Haiti, glass swords and Venetian mirrors that he had bought in the rue Bonaparte, a plaster cast of his hands, Giacometti’s lamps’. Her diarykeeping and memoir-writing also reflected an urge to acquire and relish everything that came into her grasp. .

She explored the world with the same passion, travelling and walking fanatically. While living alone in Marseilles as a young schoolteacher, she would pack buns and bananas on her days off, put on a dress and a pair of espadrilles, and set out at dawn to explore the mountainous countryside. Once, carrying bread, a candle and a water bottle full of red wine, she ascended Mont Mézenc and spent the night in a flint but at the summit. She woke to find herself looking down on a sea of cloud, and ran down the path on rocks which, when the sun came out. heated up and burned her feet through the
soles of her inappropriate shoes. On another walk, she got stuck in a gorge and barely managed to scramble out. Later, in the Alps in 1936, she fell down a sheer rock face while out alone, but escaped with a few scratches.

Sartre was different. He would be persuaded to join her on walks, but didn’t enjoy the sensation of fatigue. Being and Nothingness contains a marvellous description of slogging up a hill behind an unnamed companion, whom one pictures as Beauvoir (although the scene has something in common with Petrarch’s famous ascent of Mont Ventoux). While this companion seems to be having fun, Sartre experiences the effort as a nuisance, something that intrudes on his freedom. He gives in quickly, throws down his knapsack and collapses at the roadside. The other person is tired too, but finds it blissful to forge on, feeling the glow of sunburn on the back of the neck and relishing the way the roughness of the path is revealed afresh by each trudging step. The Whole landscape presents itself differently to the two of them.

Sartre preferred skiing, and that experience also found its way into Being and Nothingness. Walking over a snowfield is hard work, he pointed out, but skiing over it is a delight. The snow itself changes underneath you, phenomenologically speaking; instead of presenting itself as viscous and clinging, it becomes hard and smooth. It bears you up, and you slide flowingly over it, as easily as the notes of Nausea’s jazz song. He added that he was curious about waterskiing, a new invention which he had heard of but not tried. Even on snow, you left a line of ski marks behind you; in water, you left nothing. That was the purest pleasure Sartre could imagine.

His dream was to pass through the world unencumbered. The possessions that delighted Beauvoir horrified Sartre. He too liked travelling, but he kept nothing from his trips. He gave away books after reading them. The only things he always kept by him were his pipe and his pen, and even these were not for getting attached to. He lost them constantly, he wrote: ‘they’re exiles in my hands’.

With people, he was generous to the point of obsession. He gave money away as fast as it came. in order to get it away from him, like a hand grenade.

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